Mark Fell (born Sheffield, UK, 1966) is a multi-disciplinary artist living and working in Sheffield. He works with new technologies, sound, image and interaction, bringing together interests in experimental electronic musics, contemporary art, philosophy and computer science.
Mark has performed and exhibited extensively at many major international festivals and institutions. These include: Sonar (Barcelona), Mutek (Montreal), Siggraph (Los Angeles), Powerhouse (Sydney), ACMI (Melbourne), ISEA (Paris), Hong Kong National Film Archive, The Barbican (London), The Corcoran (DC), Schirn Kunsthalle (Frankfurt), Volksbuhne (Berlin), Liquid Room (Tokyo) and many others. His published sound works quickly placed him at the forefront of new digital musics with critically acclaimed releases on Mille Plateaux (Frankfurt), Or (London), Line/12k (New York), raster-noton (Berlin) and others.
Over the past ten years Mark has worked as curator of digital music for several international festivals including lovebytes and Sightsonic in the UK, and guest curated "The Year of Living Digitally" in Singapore as well as the Algorithm Stage at the Glade Festival (UK). He has been responsible for the UK premiers of many emerging and established sound artists working with digital technologies, forming a major contribution to the development of this genre within Europe.
In addition to his professional activities Mark has been employed by the Creativity and Cognition Research Studios (UK) where his research focussed on emergent technologies in contemporary art practices, specifically theories of interactive art and creative process. He has authored and published several papers on this subject.
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