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Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man · Reverend Beat-Man ·
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Reverend Beat-Man

psychobilly · rockabilly · garage rock

Reverend Beat-Man

psychobillyrockabillygarage rockblues trash

3 657

Deezer fans

21 146

Last.fm listeners

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The artists whose audience overlaps most with Reverend Beat-Man's.

  • Bloodshot Bill
    Bloodshot BillView profile
  • RReverend Beat-Man and the Un-BelieversNot in the catalogue yet
  • RReverend Beat-Man And the Church Of HerpesNot in the catalogue yet
  • KKing AutomaticNot in the catalogue yet
  • JJohn Schooley and His One Man BandNot in the catalogue yet
  • HHipbone Slim & The Knee TremblersNot in the catalogue yet
  • UUrban JuniorNot in the catalogue yet

Closeness measured from listening data — source: Last.fm

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About

Beat Zeller (born 1967), better known as Beat-Man or Reverend Beat-Man, is a Swiss musician, DJ and record company owner. He performs as a one-man band, as the leader of psychobilly band The Monsters, and with other bands, in a style described as primitive rock and roll and as "gospel blues trash". He is also the founder and head of Voodoo Rhythm Records, a company based in Bern, Switzerland. By his own account, he made his first recordings at age thirteen under the name Taeb Zerfall on his own Zerfall Tapes label. In 1984, he changed his name to Lightning Beat-Man, performing "a mix between Elvis Presley and die Einstürzende Neubauten".[1] He then presented a one-man wrestling show – "The idea was to fight on stage against myself, sometimes me versus my guitar...and always win!" – before it became a two-man show and then a wrestling circus.[1] His group, The Monsters, were formed in Bern in 1986. He started performing as Reverend Beat-Man in 1999, apparently after a vision involving a mix of Robert Johnson, Marilyn Monroe, Tura Satana, Bettie Page, Iggy Pop and Elvis.[2] He plays guitar and drums, performing "a river of sound wholly unique to him, offering his many listeners a sacrament of primitive rock'n'roll, gospel trash, surreal folk, and wild blues," sometimes with a female dancer known as Panti-Christ.[1][3] He has described his greatest influences as Howlin' Wolf and Hasil Adkins.[1] He also works as a DJ, presenting "mostly black R&B and blues stuff, garage, rockabilly, and..

Source: Last.fm

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