Flora Hibberd’s songs resemble meticulously crafted tapestries. Drawing inspiration from rock and synth-pop as well as 17th-century folk songs, yet always rooted in indie-folk, her music is as mundane as it is cosmic, pulsing with surrealist allusions and raw emotions.

Her debut album, “Swirl,” earned her rave reviews last year, and the new “Mammoth” sounds like a promise fulfilled. Produced by The National's Ben Lanz, it’s weirder and bolder than the 2025 album, populated by ghosts of history and prehistory who roam the present and face the future head-on.

Flora Hibberd’s songs resemble meticulously crafted tapestries. Drawing inspiration from rock and synth-pop as well as 17th-century folk songs, yet always rooted in indie-folk, her music is as mundane as it is cosmic, pulsing with surrealist allusions and raw emotions.

Her debut album, “Swirl,” earned her rave reviews last year, and the new “Mammoth” sounds like a promise fulfilled. Produced by The National’s Ben Lanz, it’s weirder and bolder than the 2025 album, populated by ghosts of history and prehistory who roam the present and face the future head-on.

There are no seats or reserved places at Casa Capitão concerts. To secure a good spot facing the stage, it is best to arrive early. And be ready to spend an hour or two on your feet.

Where it happens