Inner_Spaces ANDY STOTT, COLLECTIF G

**Andy Stott** brought to the Auditorium San Fedele a set that explores sonic matter as a continuously transforming organism. His aesthetic, built upon slowed-down rhythms, deep bass, and textures that move like layers of pressure, creates dense and suspended environments where fragility and weight coexist without resolution. Voice, noise, and pulsation emerge as unstable elements, never merely decorative: fragments that open and close, generating a dilated and hypnotic perception of time. Stott has defined a recognizable language, capable of uniting introspection and opacity, building soundscapes that do not seek impact but immersion—a depth that is felt rather than described.

In the first part, **Collectif G** – Maroussia Gentet and Matvey Zheleznyakov – offers a brief portrait of the amplified piano. George Crumb's *Makrokosmos IV* investigates the internal resonance of the instrument, exploring harmonics, pizzicati, and percussive surfaces; Maurice Ravel's Rhapsodie espagnole, in its original four-hand version, instead focuses on color, internal lines, and rhythmic overlaps that anticipate orchestration.